Operation Finale, brings to life one of the most daring covert operations in modern history. Starring Academy Award winner Sir Ben Kingsley (Gandhi, Schindler’s List) and Golden Globe winner Oscar Isaac (Star Wars: The Last Jedi, X-Men: Apocalypse), the film vividly captures the ingenious and brilliantly executed mission to capture Adolf Eichmann, one of the chief architects of the Holocaust.
Fifteen years after the end of World War II, acting on irrefutable evidence, a top-secret team of Israeli agents travel to Argentina where Eichmann (Kingsley) has been in hiding together with his family under an alias Ricardo Klement and execute an extremely dangerous abduction. In attempting to sneak him out of Argentina to stand trial in Israel while being pursued by the country’s right-wing forces, agent Peter Malkin (Isaac) is forced to engage Eichmann in an intense and gripping game of cat-and-mouse with life-and-death stakes.
Operation Finale releases in theaters on August 29.
So. Moviepass is another in a long, long long of companies that way over-promised, and woefully underdelivered. Ostensibly a NetFlix for the theatergoer, promising one movie/day for $9.95/mo, the service fast hemorrhaged cash. To the point where the service was frequently unavailable. In addition to which, the company imposed blackouts on the most popular titles, imposed surge pricing, floated the idea of a pricier service, etc.
All of the above transpired without prior communication to its customers. In other words, no moviez for yuo!!!!
Of course none of these restrictions affected MoviePass’s eTicketing partners; all shows were available. Conveniently giving the company an out if anyone were to level an accusation of a material change in the terms of service. Thing is, eTicket theaters are about as readily available as meat in a vegan deli.
The latest changes to come down the pike from CEO Mitch Lowe are as follows:
No longer will subscribers be able to see one movie/day; now it’s three/month, with a possible discount on additional tickets.
The blackouts continue to be in effect, e.g., it appears that from the slate of titles in theaters now, customers have a field of two to choose from on any given day.
From virtually unlimited to this–in less than year. In addition to which, where one previously could view a title more than once, this has been disallowed. No repeat screenings, yuo!!!!
Monthly subscribers will see the transition to the new 3 movies/month plan towards the end of August, 2018. Pre-paid customers will maintain previous terms of service until renewal date.
All of which brings me to the following proposal. This will require some advance planning, but is quite doable. To get the most out of MoviePass going forwards, I submit that customers could:
1) Proceed to theater supported by service.
2) Check-in to an available screening.
3) Purchase ticket using MoviePass card.
4) Take picture of ticket of required by app (supposed to be going away).
5) Exchange ticket at box for the movie one really wants to see, or wait until after showtime to exchange ticket for re-admit pass.
Following the above, one could potentially bypass the arbitrary restrictions enforced by MoviePass, thereby approximating the service’s original promise.*
*The foregoing is provided for informational purposes only; following the steps could result in revokation of one’s MoviePass subscription. The author does not condone fraud of any kind, no matter how wonky a service provider has become. And remember: is it’s not personal, it’s business.
Creed II is coming this fall; as with all Rocky stories, it’s about overcoming obstacles, going the distance. Fundamentally, that is the element of story itself: a character who wants something, endures hardships, and overcomes obstacles to achieve that thing. The fact of the matter is that life is story. We are all of us living a story–living stories. Where we get tripped up is that we often delude ourselves into the belief that life is a movie about moi.
Nothing could be further from the truth.
I don’t want to speak for you, but in my life those times when I think I’m entitled to this, that, or the other thing–that life owes me–are generally the darkest, bleakest days. Not to say that there’s not such a thing a healthy belief in one’s self, one’s abilities, but rather that this requires an honest, humble assessment.
And it doesn’t happen in a vacuum. I, we, need others around to: encourage, rebuke, guide, cheer. Often we have to get out our own way to hear just what others have to say. I mean it’s true in life, and it’s true in the Rocky films. Rocky wouldn’t be the Rocky we’ve all come to know and love without: Mickey, Apollo, Adrian, Paulie, and now Creed. And Creed wouldn’t be who he is without Rocky by his side.
That’s really the crux of it: we, like Rocky, have to be willing to put in the hard work, believe we can even when it feels like we can’t, listen to the wisdom of others, get out of our own way, then invest in others, and pass the hard won lessons on.
Not to put too personal a spin on it, but my wife and I are in a season now where we are facing difficult health challenges, are in a season of transition as our oldest child is preparing to leave home, and our younger one approaches the teen years. All in the midst of financial concerns, helping our aging parents, looking towards our own retirement years (not really all that far off). And honestly some days it doesn’t feel as if we’re overcoming at all.
It’s rough. But it’s life. And if there’s one things that’s true it’s that if there’s any blessing to pain, any comfort in it, it’s that it means we’re still alive and kicking. Still in the arena. To feel pain one has to be alive. Let’s be honest: the dead don’t feel it. And truthfully, more than the good times–the easy times–it’s the hard times that shape us. If my faith in God has taught me anything it’s that. In a sense, Rocky (and Creed after him) is like Jesus, “who for the joy set before him endure the cross (the training, the blows, the scorn), despising the shame.”
So, yes, the hard times shape us–If we allow them to.
I’m still walking through it. My wife is walking through it. And chances are so are you.
Two years ago around this time, I gave the first Paddington two unreserved thumbs up. You may read that review here: Paddington Movie Review.
Time has moved as it it wont to do, and it’s time for another Paddington film. While I’ve not seen it yet, I’ve no doubt I shall; why? Chiefly for two reasons:
I loved the first one.
I have an 11 year old daughter who adores teddy bears.
So as you can see this is a no-brainer for me. And that it again features Peter Capaldi (my favorite Doctor) is just icing on the (bear-shaped) cake.
Synopsis: Following the worldwide hit “Paddington,” one of the most successful family films of all time, this much-anticipated sequel finds Paddington (Ben Whishaw) happily settled with the Brown family in London, where he has become a popular member of the local community, spreading joy and marmalade wherever he goes.
While searching for the perfect present for his beloved Aunt Lucy’s hundredth birthday, Paddington sees a unique pop-up book in Mr. Gruber’s antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it’s up to Paddington and the Browns to unmask the thief.
Paddington 2 stars: Hugh Bonneville (Downton Abbey), Hugh Grant (Four Weddings and a Funeral), Sally Hawkins (Jayne Eyre), Brendan Gleeson (Into the Storm), Julie Walters (Mamma Mia) and Ben Whishaw (The Hollow Crown) as the voice of Paddington.
The Man Who Invented Christmas tells of the magical journey that led to the creation of Ebenezer Scrooge (Christopher Plummer), Tiny Tim and other classic characters from A Christmas Carol. Directed by Bharat Nalluri (MISS PETTIGREW LIVES FOR A DAY), the film shows how Charles Dickens (Dan Stevens) mixed real life inspirations with his vivid imagination to conjure up unforgettable characters and a timeless tale, forever changing the holiday season into the celebration we know today.