Fair warning: while I’m not a divorced dad, I am a child of divorce. And having grown up in a broken home, think I have something to say to divorced dads. That out of the way, here goes:

1) It’s not (all) your fault. Marriage takes two willing parties; that is, two people willing to work at making it work. Sometimes it’s the man who isn’t willing, other times it’s the woman.

2) Own the things that are your fault. Your kids don’t care who carries the blame, e.g. who did what to whom. They just know that one, or both, of their parents is (for whatever reason) no longer around. And they wonder, even if they’re old enough to know better rationally, did I do something wrong? Is this my fault? In the midst of your own pain, and confusion, you’ve got to find a way to be there for your kids. Let them know it’s not their fault.

3) Be honest. Talk to your kids. Talk to them–not at them. In my case, because my mom was more open, and more willing to talk, it was easier to gravitate towards her. My dad on the other hand chose to leave. This lack of communication made it far easier to resent him, make him the villain (even if he was just a hurting soul himself). To this day (I’m almost forty-six), I have no real relationship with him.

Because he chose not to be real with me. In essence, he became this distant figure who tried assert himself into my life (a life he’d walked away from just as I was entering high school) about twice a year. I felt like an obligation, a checkmark.

Not a beloved son.

Did my duty, abided by the terms of the decree, move along.

That is not a relationship.

I’m sure dad wonders now why “the cat’s in the cradle, and the silver spoon” as the late Harry Chapin sang.

4) Just because you’re the dad doesn’t mean you get to dictate all the terms. This is a relationship–not a “dadtatorship.” If you play the general, your kids will revolt. The harder you squeeze something (or someone) the more it slips through your fingers. You have to let them be their own people. Let me ask you this: do you like to feel controlled? Do you think your kids do?

5) Share their interests. Bond over something they like. This may mean doing something you don’t like. But it’s for a greater cause; namely, re/establishing a relationship. If the biblical account of the Prodigal Son teaches anything, it’s that the father goes to the son. He is actively scanning the horizon. He runs to the son (or daughter). We earthly dads are not the Heavenly Father, and as such must model humility and repentance. We set the tone, but we don’t set all the terms. And for myself, I tried for years to have a meaningful relationship with my dad, but because he wanted to set all the terms (the rules of engagement, if you will), it never worked. Believe me you don’t want to be in your seventies, filled with regret, wondering why your kids never call or come around.

6) Be their soft place. Let them know (and model) that there isn’t anything they can’t come to you with. Listen. It’s cliché, but true nonetheless, that people (especially our own families) don’t care how much we know until they know how much we care.

7) Respect your ex-spouse. You can’t do anything about how they treat you, but you can control your attitude and comportment regarding them. Your kids are watching. Show them what it’s like, no matter how hard it may be, to live with honor. At the very least, if you can’t bring yourself to like your ex-spouse, honor their office–that being one of the parents of your children. Again it’s not easy, but it can be done.

8) Pray for your kids. The statistics concerning children of divorce are disheartening to say the least. More likely to have trouble in school, have substance abuse problems, get divorced themselves, and finally die younger.

They need you, dads, and the uniquely masculine love you bring into their lives. If you can help it don’t move away. Find a way to instead be close by. If they move, take the pay cut to be closer to them. Do your all, because ultimately how they view the Heavenly Father is filtered through the lens of your example.

They’re counting on you, dad.

<strike>Bruce</strike> I’m sorry, Caitlyn Jenner has been all over the news of late regarding his/her gender transition. We’re supposed to believe that a man of 65 years of age has felt like a woman all of his life, and is now letting <strike>his</strike> her true self out.

Well and good. None of us can see inside Caitlyn’s soul to judge this for ourselves. But what I find hard to fathom is that the same folks who are so loudly trumpeting the fact that we must support Caitlyn, can’t get behind Rachel Dolezal. I mean if gender dysphoria is indeed a thing, why not racial dysphoria. The woman seem to have so strongly identified with the black experience that she believes she’s black.

In this relativistic, pluralistic culture in which we live, who are we to say otherwise? Personal truth (“my truth,” “my experience”) trumps objective reality everyday of the week. We can be whomever, and whatever, we wish…

Except if we’re Rachel Dolezal claiming to be black. Then, no, that’s not okay. But if one is a woman, for instance, who objects to <strike>Bruce</strike> Caitlyn Jenner’s conscription of femininity without living the feminine experience, the one is termed “transphobic.”

My conclusion is that, along with Chesterton, “Our Father is young, and we have grown old.” We have grown old in this sin-soaked world. Sin has tainted everything–everything–we see, hear, taste, touch, smell. Our reason is fallen. In my worldview, gender dysphoria is a consequence of sin. As is claiming to be something we aren’t (this would be termed “lying”). 

But.

AND THIS IS AN AWFULLY BIG “BUT.” Nothing puts us outside the love and grace of God. There is nothing truer than what He says about us; namely, that we–whether we are Caitlyn Jenner, or Rachel Dolezal–are never beyond His love. That He sent His Son. That whether we are gay, straight, bi, transgender, or claim to be transracial, all He asks is that we come to Him to let Him make of us something new. We can debate all the live long day  about what is, or is not, sin.

But in the end, we all need Him.

That, my friends, is not relative.

“Isn’t there enough real horror in the world? Why do we need horror stories?” I have been asked these, and other, questions. In fact, I was once on the receiving of a fundagelical intervention because I had the temerity to read the Harry Potter books. In some circles (yes, folks, they’re still out there!), somehow the Old Testament command, “thou shalt not suffer a witch to live,” has come to mean “thou shalt not read the exploits of a certain boy wizard.” Never mind that it’s fantasy, never mind the fact that the stories are rife with not only biblical–dare I say Christian–themes. The books start with a mother giving her life for her only son. There is sacrifice, honor, loyalty, facing adversity, standing up against the odds. I could go on.

And we’re worried about fantasy depictions of magic? Talk about straining at gnats! But I digress. Yes, there is real horror in the world–rapes, murders, war, torture, sex slavery, racism, and on and on and on. The thing is: horror stories don’t add to the horror in the world; rather, they give us a vicarious outlet for processing those real horrors we experience in life (or see in technicolor on YouTube). The horror story, because it’s a story, gives a safe place to feel our fears. We can put on a movie, or curl up with a book, in the safety and comfort our own homes. If it’s too much, we turn off the movie, or put the book down. We are never really in danger, but the stories remind us of the one fact we seem to almost willingly want to forget: the world is not a safe place. We, especially we in the West, crave nothing so much as safety and comfort. And we become quite wroth when anything threatens that delicate equilibrium. We don’t like to be made to feel uncomfortable. But this is exactly why I both read, and write, horror stories. It’s when I’m feeling the most safe and comfortable that world is most apt to collide head on with me (or I with it). The horror story is a necessary tonic; it reminds us that things aren’t always good, that sometimes things don’t work out for the best in this world. Young men die (I just lost a coworker who was only forty-nine!), while greedy grow old. Babies are born crack-addicted, or with AIDS. Praying grandmothers, serving with all their strength husbands suffering from strokes and with dementia, die before their ill spouses…

It doesn’t make any sense. There’s no rhyme or reason to it.

The horror story comes along, telling us, “Yes, this world is a wilder, weirder, darker, more mysterious place than you can possible imagine.” But you can survive. You will face obstacles you never dreamed of, and will overcome them. The thing is we have to be willing to be made to feel uncomfortable. I find that not many are. We eschew that which makes us feel uncomfortable. Instead of facing our fears, we often give in them labelling it wisdom. Whoever said this world is a safe place?

Now I’m not here suggesting that the horror story be all that we read; rather that we make it a practice to step outside our comfort zones. It may feel uncomfortable and awkward at first, but I think it’s ultimately rewarding. Beyond that, there is precious little other fiction where the veil betwixt the natural and supernatural is so thin–is rent in twain. Horror, and all fantasy fiction for that matter, treats the supernatural as de rigueur–as a matter of fact. Because we, at least those of us who call ourselves christians, live in those two worlds all the time everyday. To us, the supernatural is real. To the writer of fiction, while it might not be real, it at least reflects a worldview much closer to our own; namely, that there are forces which lie outside the realm of physics and rationality. Which can’t be neatly categorized or explained. Supernatural/horror/fantasy fiction, done right, allows for the most of epic of confrontations between good and evil with a capital “E.” In this way, we come nearer in approach to a biblical worldview than we would say a Tom Clancy, or a Lee Child, novel. In those, man is the architect of the evil depicted upon the story’s stage; in Tolkien, there is Sauron. In Harry Potter, Voldemort. In King’s The Stand, there is Flagg. Each of these, whether the author intended or no, comes closer to depicting the world as it is; namely, that there is an enemy, Satan, who is the author of evil. That there is in fact a transcendent evil originating outside our species.

This is why I both read, and write, horror stories.

Beyond that, these stories make us feel something–even if it’s revulsion. They are visceral, and as such can’t be ignored. Like a roller coaster, there are chills and thrills, but ultimately the ride comes to an end, and we get off. Hopefully, we take enough with us to counteract the effects of world which seeks to lull us to sleep, to pull the wool over our eyes. This is why I read and write horror stories.

How about you? Do you read horror stories?

  
So I wrote a little ebook. It’s not setting the world on fire, but it’s my baby. And like any baby, the birthing process was painful. It took me longer than I think it should have to complete, and then when I was done, had gotten some feedback, I sat on it out of fear. What would people think of me, what would they think of this story? It certainly skews towards the gruesome (I mean if I’ve done my job, you won’t forget it). 
In any case, now that she’s out there, appendages mostly in place (she might have an extra finger, or might be missing a toe), my baby needs your help. It takes a village to launch even a modest ebook like this one. And this is where you come in, friends:

If you could buy a copy, that would be most appreciated. If not, contact me here, and we can work something out regarding a review copy. If you buy and/or recieve a review copy, all I ask is that you do leave a review on #Amazon.
In immortal words of Bartles & Jaymes, thanks for your support. :-)
Click the following link to get your copy: Casita 106 at the Red Pines

  Folks, I’m excited today to feature an interview with newly published author, Chad Jones. According to Chad, he’s been writing stories since grade school. Most, however, he’s completed in the grey matter residing between his ears, leaving them there for his amusement. Sometimes, to his utter astonishment, these stories make their way out into the wider world. Casita 106 at the Red Pines is one such. Without further ado, here’s Chad:

(Following is a transcript of a telephone interview).

“Chad, thanks for taking the time to talk to me today.”

“Sure. Flying monkeys couldn’t drag me away. Or maybe they could. Anyway. You wanted to talk about my new ebook, right?”

“Yes, that’s correct. First of all, you’re a Christian, right?”

“Yes, I am. Have been since nineteen eighty-eight. This has come up before, and I think I know where you’re going with this. See, here’s the thing just because I’m a Christian it doesn’t always follow that I’m going write quote-unquote Christian stories. Sometimes an idea grabs me, and I’ve got to follow it. The way I see, often the most Christian thing I can do is make the best art I can, and not just throw in explicit references to Jesus at every turn. Make sense?”

“I see where you’re coming from. So if I understand you correctly, what you’re saying is that a story starts with an idea, which comes to life in the characters, and grows organically from there?”

“I couldn’t have said it any better myself. Without living breathing characters there isn’t much to go on. Even a killer idea isn’t enough to save a story with characters that you, the writer, don’t care about. Really what I’m about is that I want the reader to feel something. So I have to feel it first. Even if it’s revulsion.”

“Speaking of, Chad, there are some revolting things that happen in your new story, Casita 106 at the Red Pines. I have to ask: where do you get your ideas?”

“Everyone asks this. Here’s the deal: we writers don’t know. Some things come from snippets of conversations I have with my wife. For instance, one time we were talking about the Publisher’s Clearing House sweepstakes. It got me to thinking what would it be like if zombie Ed McMahon came to your door with a check? That idle conversation sparked an idea that’s grown into a work in progress. Other times, it’s events. Casita came out of a trip my family and I took to Sedona, which is this really rich, beautiful, weird place. Part of a microwave really did fall on my wife, and I actually did have a dream about the late Phillip Seymour Hoffman. Those things combined in my head in this sort of frisson and Casita was the result.”

“That’s interesting. Thanks for the insight, Chad. But, c’mon, horror? I mean why do you write horror? Is that a very Christian thing to do?”

“I’m going to paraphrase the late C.S. Lewis here. He said that if one is a lawyer, or bricklayer, or whatever, one shouldn’t necessarily seek to leave one’s profession because one has converted to Christianity. God, he said, wants more Christian lawyers, et cetera. So it is with me. Horror is a genre I grew up loving, and found that that love didn’t dissipate just because I’d become a Christian. To quote director Scott Derrickson, “horror is the genre of non-denial.” We’re forced to confront our fears, and yet we’re able to do so in a safe, vicarious manner. Moreover, in my mind the genre is perfectly suited to explore the big questions of life, the universe, and everything. We are presented with ordinary people in extraordinary situations, and see how they respond. We get to ask ourselves: how would we respond? We learn something about ourselves while enjoying a rollicking good yarn. Or a good fright.”

“So you’re saying that horror puts the reader in a crucible along  with the characters in a story, allowing them to share the experience? And decide what they might, or might not, do in a similar situation?”

“Something like that, yes. Have you watched the Walking Dead? That show is rife with questions of morality, faith, trying to hold onto our essential humanity while simultaneously trying to survive. Horror allows us to focus a high lens, or microscope, on these issues. They’re closer to the surface.”

“I see what you’re saying. How does that apply to your story, Casita?”

“Well, of the top of my head, we’ve got the ordinary people in a seemingly ordinary situation. They’re seemingly innocents. And then you as the reader find out, as the story progresses, that neither they, nor the situation is as they first appeared. Then we’ve got other characters who, in the name of survival, are complicit in something… I can’t say anymore here. Don’t want to spoil things for anyone who hasn’t read the story yet. I will say this: I wanted to take some of the normal horror tropes, and either run with them, or appear to run with them, and thereby subvert the reader’s expectations.”

“Sounds like you’ve put a lot of thought into this, Chad. Before we go, can I ask what’s ahead for you?”

“Sure, it’s your blog, man. You can ask whatever you want. To answer your question: I’ve a zombie story in the pipeline. When done, it will likely be the longest thing I’ve ever written. Beyond that, there’s a short story about an exotic dinner that isn’t what it seems. There are plans for a novel, but that’s a little ways down the road.”

“Those sound interesting. I look forward to reading them.”

“Thanks. Me, too.”

“Chad, thanks for taking time out of your busy schedule to check in with us. Is there anything else you would like readers to know?”

“No problem. Always willing to open up my schedule for you. Uh, yeah; folks can find Casita 106 at the Red Pines on Amazon. It’s hopefully a fun, quick ride for them with just enough tension (and a little humor) to keep them reading to the last page.”  

  
“Thanks, Chad. Good talking to you. Looking forward to the next time we get to check in. By the way, do you have an Internet presence? I know you writer types often seclude yourselves.”

“Sure. I can be found at RandomlyChad.com, and on Facebook at RandomlyChad. Check ’em out, folks.”

“Thanks, Chad.”

“Anytime. Goodbye.”