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Bryan Allain Has Done It Again #CommunityWins @BryanAllain

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As with his previous book, 31 Days to Finding Your Blogging Mojo, Allain has writting another winner. He knocks it clear outta the park! It’s smart, yet simple, clear, and actionable. Anybody wanting to build a tribe can follow these steps. Bryan shares the lessons he’s learned from:

Over 10 years of blogging,

Putting on his own conference,

Reaching out to people he admires.

This book is packed with such practical wisdom that it would be cheap at twice the price! It really is that good.

Don’t take my word for it–pick up a copy, and put the steps into practice. And watch your tribe grow!

Click here to get your copy on Amazon. Starting tomorrow, October 30th, the book is free (through November 3rd).

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What you can do to help:

1) Do Bryan, favor, and read Community Wins, or Bryan’s previous book, 31 Days to Finding Your Blogging Mojo.

2) Leave favorable reviews on Amazon.

3) Tweet out your love: “@bryanallain is at it again with #CommunityWins. Check out @randomlychad’s review at http://randomlychad.com”

Tosca Lee’s Iscariot: a Review

Iscariot is the forthcoming novel from Tosca Lee. It is due to be released on February 5th of next year. I was privileged to receive an electronic galley from NetGalley. (For my book-loving friends, this is a great way to read, and review, upcoming books).

I’ve made no secret of how much I like her work, and have even had her here on the blog for an interview. Her work resonates with me, and her work ethic inspires me (I’m told she engaged in a marathon 19,000 word writing session as the deadline for Demon: A Memoir encroached upon her).

Every writer, I think, needs a muse, and I’ve found a writer in Ms. Lee that inspires me to greatness. I may never achieve her level of success, never be more than a guy with a blog–and a dream–but at least I’ve got a star to shoot for (though I may crash back to earth). With that in mind, here’s my advice to those of you write: consider a writer you’d like to write for, give yourself an “ideal audience,” and shoot for that every time you sit down at the keyboard. I’ve picked Ms. Lee because she crafts gorgeous sentences, includes vivid descriptions, is a crackerjack at research, and very ably draws her readers in.

What does that digression have to do with her forthcoming book, Iscariot? For me, it represents a return to form, to the first person narrative of her earlier works, Demon: A Memoir, and Havah, the Story of Eve. If you have been following her career, you know she has been engaged in writing a trilogy with mega-bestselling novelist Ted Dekker, called the Books of Mortals.

As with most Dekker books, the series contains labyrinthine plots, amazing twists, global conspiracies, etc. worthy of the best of Ludlum.

Iscariot is nothing like that.
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As I said above, it represents a return to form: the story is stripped (oh, it has its twists), the plot is simple, and the point of view is intimate. Ms. Lee makes perhaps the boldest choice I’ve ever seen a novelist make: she narrates the story from Judas’s perspective. To help put this into perspective, allow me a comparison from popular literature:

Author George R.R Martin is engaged in the telling of vast tale, encompassing many volumes, known as the Song of Ice and Fire. In this story, he has a character known as Jaime Lanister, who is the architect of the inciting incident that gets Martin’s story rolling. He is a character readers love to hate. Where Martin’s story differs from Lee’s is that his is a tale told from multiple points of view (there are alternating chapters). Jamie Lanister is not a point of view character until well into the series.

But when Martin introduces him as such, things change. The reader is forced to see things from Lanister’s perspective. At first it feels akin to having sympathy for the devil, but the monster quickly becomes a man. Lanister is human after all.

Likewise Lee, in her portrayal of Judas, forces the reader to see events through his eyes, and process life through his mind. Like George R.R. Martin, one of her great strengths as a novelist is the sympathetic portrayal of much-maligned characters. And it turns out that Judas Iscariot, arguably the most notorious traitor of all time, was just as human as you or I.

Not a cheery thought to contemplate, but a necessary one. For who among us, at one time or another, has not betrayed Christ?

The brilliance of this book–though it goes beyond the biblical narrative (as it must)–is that it sets Judas in the proper context of Israel’s history: his is an occupied state, the religious structure is oppressive, the Roman rulers are cruel, and crucifixion is all too common. People, Judas among them, are anxiously expecting a Messiah–one who will deliver Israel from her enemies. What they get–what he gets–is something, or Someone else entirely. For the curious, the story moves quickly from the setting of Judas’s childhood to the central relationship of the book: that of Judas and Jesus.

Yes, like Revenge of the Sith, the ending is known: Judas betrays Jesus. But what a journey getting there! It is nothing short of a tour-de-force! You will see Judas in an entirely new light.

Have you read any of Tosca Lee’s books? Will you read Iscariot when it releases in February?

Andrew Zahn Is On Fire!

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No, not that kind. We don’t need to call his wife, Sarah. We don’t need the Fire Marshall.

No, the kind of fire I mean is the one Andrew is marshalling. If you’re a creative type, or even if you’re not (or afraid to see yourself as one), he’s just released sleek, slick, powerful new eBook called:

The 10 Commandments for Creatives
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I guarantee reading it will ignite a creative fire under your a**. Andrew challenges us to see even mundane chores such as shopping in a new light (“As I took in the design of the label, I envisioned what a stack of them would like in our kitchen…”).

You see, the truth is: there are no mundane chores for the creative, rather life must be approached with the right perspective. So see labels in a new light, give yourself permission to smell the baking bread.

What Andrew is talking about is nourishing one’s soul–because we create out of our cores. As such, we must nourish them–feed them creative fuel.

Andrew also counsels us to celebrate what we have, instead of pining over what we don’t. Because this is poverty, and it disarms our creative selves. A great to short circuit this poverty–which sets the stage for envy–is to celebrate the accomplishments of others. Instead of carping about the job you didn’t get, or how successful so-and-so is, celebrate them.

Congratulate them–take them out for coffee.

Andrew says that celebrating others is the surest way to kill that green-eyed monster, jealousy.

I could go on. This short book is powerful, and power-packed, and I can’t encourage you strongly enough to buy it. Andrew has been kind enough to offer my readers a 50% discount through the end of September via the code “RANDOMLYCHAD.”

What are you waiting for? Set your creativity on fire:

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Click here to buy The 10 Commandments for Creatives

You can find Andrew on his blog, Creatives, and on Twitter @zahndrew

Random Review: Demon, A Memoir

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I was recently privileged to host author Tosca Lee here for an interview. (You may read that interview here). Today, after a long hiatus, I’m bringing you a random book review: Ms. Lee’s Demon: a Memoir.

Demon was published some five years ago (and was subsequently rereleased in 2010), but is new to me. It has been–rightly so–compared to Lewis’s classic Screwtape Letters. As apt as that comparison is, as the books cover similar thematic ground, I feel it in some ways misses the mark.

What do I mean?

If you know the story of Screwtape, you know it’s a book comprised of a series of letters from a senior demon (Screwtape) to a junior tempter, Wormwood (his nephew), with advice on how best to lead “the Patient” (a human) away from God. Ms. Lee’s approach eliminates the middleman–the “Wormwood,” if you will–and poses the question:

What if “Screwtape” showed up in person?. How would the “Patient” react? Would he, dare I say, perhaps be entranced?

And that is exactly what happens: Lucian (the “Screwtape” figure here) makes an appointment to meet with Clay, a man recently divorced, onr who works for a midlist publisher, and who has failed as a novelist. I don’t want to give anything of this delicious novel away, but suffice it to say that Clay is, despite solid proofs of who Lucian is, entranced, and agrees to tell Lucian’s story.

Which is really Clay’s story (and ours). More I can’t say.

I’ve given you the bare bones there above, but in brief:

Ms. Lee has a strong sense of place–one feels as if one is in Boston (where the story takes place). The main characters of Clay, and Lucian, do indeed feel like a real person and/or demon, respectively, and their motivations are solidly believable. (A note on this: Ms. Lee, as Lewis before her, doesn’t set out to prove the supernatural: it just is. She takes it for granted from the outset. As a Christian myself I do as well, but as the book is true and consistent to its own inner laws, I don’t feel like a non-believer would have any trouble willingly suspending their disbelief. And indeed emerge on the other side maybe reconsidering things. That said, the book’s primary purpose is not as a polemic, but a work of art.

And it delivers.

The book is that well written.

Supporting characters feel like real people, and the broken relationships depicted feel suitably broken. Nothing feels forced, fake, or contrived. Her descriptions are lush without bogging down the story, and her prose crackles with an electric tension from first page to last.

Do yourself a favor, and read Demon: a Memoir.

This has been a “random” review. Come back for more in the coming weeks.

Have you read Demon, Ms. Lee’s book, Havah, or either of the Books of Mortals she’s working on with Ted Dekker, Forbidden, or Mortal? What did you think?

Have you read any other books lately?

Share in the comments!

Going To The Movies This Weekend? See #BlueLikeJazz #BlueLikeJazzTheMovie @donaldmiller

The simple genius of Blue Like Jazz is to me this:

It presents the world as it is–not as we would have it be. In this way, it is like the Bible itself, which presents the human race as we are: as sinners. (Yes, even Christians sin. Shocking, I know).

So there are:

Lesbians, drug references, partying, and general debauchery portrayed on the the screen. Should this surprise us? I defy you to show me a college campus (the movie’s setting) where none of the above occurs (yes, even Christian ones).

This may ruffle some feathers, but so did Jesus. We need to be shaken, to feel uncomfortable. It’s good for our souls.

By that, you’ve probably gleaned that this is not a movie interested in preaching to the choir. What it is interested in is the story–the journey that young Don takes. To me, the road he travels is reminiscent of:

“Where shall I go from your Spirit? Or where shall I flee from your presence?
If I ascend to heaven, you are there! If I make my bed in Sheol, you are there!
If I take the wings of the morning and dwell in the uttermost parts of the sea,
even there your hand shall lead me, and your right hand shall hold me. If I say, “Surely the darkness shall cover me, and the light about me be night, even the darkness is not dark to you; the night is bright as the day, for darkness is as light with you.” (Psalm 139:7-12, ESV).

And that to me is the difference between Blue Like Jazz, and other “Christian” films; specifically, that it’s not afraid to show us Don’s (and our) darkness, but in the end it’s not about embracing that darkness, rather it’s about sharing what Jesus means to each of us individually as believers vs. telling others what Jesus should mean to them.

The simple genius there? Show vs. tell. And Donald Miller, Steve Taylor, and company do it very well.

Like the apostles of 2000 years ago, it is my hope that this movie turns the subculture of Christian cinema right side up.

As I asked in the post’s title: “Going the movies this weekend?”

See Blue Like Jazz. Get your tickets at Blue Like Jazz Tickets

You’ll be glad you did.

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